When I first heard this song yesterday, I didn’t think “woah, this is definitely SOTD material.” But after a couple listens today, I’ve come around. Goldroom has done a marvelous remix of Owl Eyes’ “Jewels & Sapphires,” and while it’s…keep reading →
My reticence with José González has always come from annoyance that so many people thought The Knife were covering him when they performed “Heartbeats.” Scores of impassioned conversations later — and artificially inflating the YouTube numbers of The Knife’s vids…keep reading →
If I were to come out of retirement and don my luchador mask once again, this track would be my entrance music. “Broken Doll” is the newest single by Tesla…keep reading →
Major Lazer’s “Get Free” is probably my favorite track out of their camp. Joined by Amber Coffman of The Dirty Projectors, the song spans a variety of genres, landing somewhere…keep reading →
Today little goes undocumented in the music realm. Songs and ideas that in decades past would at most be demos or disregarded and forgotten make their way to listeners ears…keep reading →
The first 30 seconds of “Dustbowl” had me thinking “This is nice,” and then Ben Smolin’s voice reaches a higher pitch and becomes deeper in emotion, and I thought, “This is…keep reading →
I’ve got some ear candy for you, and it’s not Bertie Bott’s Every Flavor Beans. It’s pop ambient from Robot Science, turned out in the form of a short but sweet…keep reading →
Jungle have absolutely no online social presence. How weird is that? I mean, perhaps that wasn’t so abnormal 10 years ago, but in this day and age?! No matter, it’s…keep reading →
Monday marked the release of Koreless’ debut Yugen EP, released by Young Turks. As well as the previously previewed “Sun,” the EP contains four tracks, including “Last Remnants.” According to Fact…keep reading →
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