As a free bird I share my cross-cultural finds to connect friends across oceans and other unnecessary borders. I mostly cover experimental electronic, but I'll write about anything that captures my attention. @MangoPopsicle
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Credit goes to singer Lalin St. Juste in The Seshen’s newest exotic electronic track for sounding like an otherwordly instrument, uniting a few human beats with her foreign army of sounds. Credit…keep reading →
It’s always a little unfair to say you like a cover better than a classic, but I’m going to be a little unfair. It’s true, Daft Punk serves as the…keep reading →
On Miguel’s “Do You…” he asks, “Do you like drugs?” but it’s clearly a deceptive chorus, trapping a drug song under a love song. Cashmere Cat might have had a problem…keep reading →
I’ve been holding off on reviewing this track because I wasn’t sure exactly what I would say; this is an edit of David Bowie after all. “Space Oddity” was released…keep reading →
I’ve never really understood, or rather jumped on, the Lana Del Rey backlash bandwagon. It’s difficult for me to doubt her authenticity because she substantiates her presented persona in a…keep reading →
Don’t let the first few seconds fool you into thinking this track belongs in Sunday Night Chill; the colors run deeper, signaled by a percussion drop making way for a…keep reading →
I thought I’d immediately miss Amber Coffman’s voice on this rework of “Get Free” with Chronixx’s vocals layered over, and probably I do, but this track reminds me of how…keep reading →
The electronic shudders to a start on this rework, and I’m thinking this has Active Child godliness written all over it. Then Jesse Boykin III’s bi-sexual voice falls in and…keep reading →
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