We’ve shared some of Coultrain’s anachronistic appeal on the Shuffle before; the singer-songwriter’s sounds are from a time generations ago. His Plug Research debut LP dropped recently, and he’s not…keep reading →
Though I’m definitely late to the Solange party, I would say she is my favorite Knowles. I’m no Bey hater, I recognize her importance in the pop culture continuum and…keep reading →
Since learning that Stephen “Thundercat” Bruner was a reluctant solo artist on last years’ Golden Age of Apocalypse, I was expecting the next solo effort from the bass prodigy to come a…keep reading →
Chicago’s Chance The Rapper has built a buzz for himself in the past 16 months with his deft lyricism and melodic inflections. His latest tape, Acid Rap, seems to have…keep reading →
Folks have been saying that hip-hop is not “musical” since fanny packs were popular, maybe even before that. I guess one could see that arguments’ root, however flawed, but in…keep reading →
I’m not exactly sure how to classify King Krule’s “The Noose of Jah City,” and I don’t care to. The British artist used to go by the name Zoo Kid…keep reading →
As a culture/genre/industry of its own, hip-hop houses a continuum within itself. You can have two songs that are based on syncopated rhythms with rhyming, metered vocals that are vastly different from…keep reading →
From the smokey, idiosyncratic mind of Madlib emerges Quasimoto. Crudely drawn, yellow (or blue) and constantly armed with either a blunt or a brick, this miscreant has run amok in…keep reading →
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