If you're interested in having me write about one of your tracks, I review: dark synth-pop, future garage, nu-disco, witch house, lean heavily on remixes and I generally favour artists outside the United States. What I'd like to review more of: Arab and Southeast Asian electronica/pop and recession pop (songs which discuss the economic climate). I don't generally review sentimental, happy love songs (sorry, I don't connect with them).
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Bombay Bicycle Club‘s “Always Like This“ is easily my favorite track by the band. There was a period in 2011 where I wouldn’t get out of bed each morning until I’d…keep reading →
So, there was period on the intertubez where the hullabaloo surrounding Daft Punk had reached such a deafening level that I lost all interest in hearing anything about the band.…keep reading →
Queer musicians are making their mark on the mainstream everywhere these days. Between Tegan and Sara, Janelle Monae, The xx’s Romy Madley Croft, Frank Ocean, Rostam Batmanglij of Vampire Weekend,…keep reading →
Truth be told, I haven’t been that thrilled with the releases coming out of The Great Gatsby soundtrack—heresy, I know, considering the joyous reaction the songs have been getting. Outside the exquisite…keep reading →
I’m always nervous about Ben Howard remixes: the guy’s such a master class musician, crafting intimate worlds that seem almost sinful to disrupt. Indeed, about two minutes into this remix…keep reading →
I’ve been a big fan of Magic Wands since their 2009 single, “Kiss Me Dead,” delighted me with its gloriously sunny DIY production (I know, how hipster of me). Along the…keep reading →
This year, my relationship to music has been all about exploring themes of connection/disconnection from the emotional spaces created by others and the places that house them. As someone who…keep reading →
Janelle Monáe is a hero of mine. Transgressed against for her sexuality by a cast of characters in a deeply patriarchal music genre, Monáe never shied away from the scene.…keep reading →
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