By Jason Grishkoff | May 20th, 2010
It’s the sheer drive of this song that raises it far, FAR above Alec Ounsworth’s affected hiccups and yelps. You can hear it best in the twin crash-and-snare hits at the end of the song, and the manic guitar line lifts me every time. It’s no wonder that it became one of Mousetrap’s standards: there is no way to stay in your seat when this song is playing. – Naive Harmonies
