Quelle Chris never disappoints me. When I found out the nomadic, erratic MC had found a proper home with respectable indie imprint Mello Music Group, I was happy. Up until…keep reading →
This past December, the good folks at Blisswave routed a tour of the Pacific Northwest that would make any underground hip-hop head anywhere in the world salty with envy: Guilty…keep reading →
Just because one is a rapper or one likes to rap, it does not necessarily make one a good rapper. These types of individuals are classified by a small circle…keep reading →
Sometimes collaborations can suck. Today, creative folks can zap 1′s and 0′s over their digital computing machine to another creative person’s digital computing machine and, by virtue of technology, collaborate…keep reading →
Guilty Simpson is one of the most technically proficient and consistent MCs of the last several years. His fantastic debut, Ode To The Ghetto, introduced his hardcore sound to many. His underrated…keep reading →
One of the most winning aspects of Homeboy Sandman is his inclination to make a rap song out of pretty much anything and everything. In a genre that can see…keep reading →
Sean Price is not for the faint of heart. The middle-aged brownsville MC sounds as smooth as sandpaper when he’s threating to slap your mother or rob you. He’s been…keep reading →
Coming from Pimpstead, Long Island, Roc Marciano as risen to the top tier of spitters since his 2010 slow-burning masterpiece Marcberg. Over a dozen or so self-productions, Roc’s solemn and…keep reading →
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