Swaying with a Sound of Arrows-esque swagger in the intro notes is always a way to hook me right into your track, and Noah Hyde’s new remix for M.A.U.’s “Cheetah”…keep reading →
Holy fucking harmonies, Shufflers! This live cover of Usher’s seminal hit “Climax” soars with the ethereal beauty of two beings in the throes of some otherworldly bedroom loving. We’ve featured…keep reading →
A truism that’s almost become a maxim in the life of an artist: sophomore slumps happen. For Two Door Cinema Club, their drop felt like more of a shrug. Beacons…keep reading →
German electronic music producer Alexander Ridha, aka Boys Noize, has been staying busy since his last side project with Skrillex and solo album Out of the Black, which was was released…keep reading →
Com Truise always puts me in a weird headspace. He’s easily one of my favorite producers, and you can tell a great one by their willingness to leave open space…keep reading →
Mia Moretti has provided the essential beats for fashionistas from LA to Vienna for quite some time now. So when she teamed up with violinist and vocalist Caitlin Moe to…keep reading →
The changes are subtle, but Beat Connection’s remix of Destiny’s Child’s first single in years, “Nuclear,” manages to alter the genre of the song. In the world of remixes, it’s pretty…keep reading →
Holly-J is the 25-year-old Australian-based DJ/producer that’s been getting love recently from Tiesto, Axwell, and Markus Schultz. With hard-hitting bass lines, filthy drops, and simple yet catchy vocals, it’s obvious…keep reading →
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