Bob Dylan covers often strike me as a win-win situation. There are, really, few greater song writers than the Bob — win one. And there are, particularly in recent years,…keep reading →
Don’t you love it when two of your favorite genres collide? So do I. But to be quite honest, I was a bit nervous when I saw that K’Naan was…keep reading →
When you hear the term “dance music” you don’t normally think of Bob Dylan at first association, right? Well, today you’re in for a weird awakening once you hear this…keep reading →
Kid Cudi rocketed to the top because his music did one thing really well: it brought hip-hop together with the “indie rock” scene — classics included (you can’t get much…keep reading →
“Sad Eyed Lady of the Lowlands” is the closing song on Bob Dylan’s 1966 record, Blonde on Blonde. It happens to be more than 11 minutes long, filled almost entirely…keep reading →
Popfolk keyboardist Gemma Hayes, born in Tipperary in 1977 and now based in Dublin, is relatively well known in the indie crowd, thanks to multiple soundtrack appearances, plenty of love…keep reading →
I’ll be honest. Over the years my relationship with Metric has been akin to the dorky kid in the chem lab constantly hating on the prom queen or star quarterback…keep reading →
Folk music is often dismissed by its detractors as a “less-than-musically-complex” genre. Many negatively associate it with its somewhat (and sometimes painfully) annoying guitar chord strumming and out-of-key singing of…keep reading →
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