It is, though, quintessential indietronica in the male vocals, with a somewhat twee (read: Postal Service) sound. But "Drive" is much more meditative than that, and I already feel guilty making such an association. That lingering last note is perhaps the most representative of the song's whole impact. It serves almost as a confirmation of the artists' intentional withholding which, of course, makes me crave the whole narrative.
I promise, this track will evolve with you as you listen, so don't let it slip away!